Bihan 30
30 cm weaving width, two shuttles — ideal for exploring beyond narrow bands.
€653 ends/cm reed included
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Métiers à Tisser Le Bris
Bannalec · Brittany
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Hand weaving looms — rigid heddle and shaft types — made in Brittany. FSC wood, metal fittings, no plastic. Built to last, cut in Bannalec.
From the compact, travel-ready Bihan to the professional-grade Triskell. Every loom: FSC wood + metal fittings, zero plastic, handmade in our Bannalec workshop.
30 cm weaving width, two shuttles — ideal for exploring beyond narrow bands.
30 cm with a second back beam for better tension and longer warps. Perfect for study and classes. Plywood reeds with a density of 2 to 5 threads per cm (20/10, 30/10, 40/10, 50/10).
40 cm, double reed support, second beams, tilting legs. The professional model — still portable. Reeds with a density of 2 to 5 dents per cm (20/10, 30/10, 40/10, 50/10).
The workshop takes to the road for wool festivals, craft fairs and open days. Come and try the looms yourself.
A full day, 10 am to 4 pm, with a one-hour lunch break. One-to-one or in small groups of up to 4 students, at the Bannalec workshop.
Home tuition available on request across Finistère — quote on demand.
This class covers everything you need to get started on a rigid heddle table loom. We focus on technique: warping the loom with the direct warping method, choosing yarns, calculating yardage, warp tension, selvedges and finishing.
A loom is yours for the day, and you leave with your weaving.
The natural next step after the beginner class. We explore techniques for weaving complex patterns. For those who have already woven on a rigid heddle.
“Every loom is a unique piece, carefully made in my workshop. FSC birch plywood, beech, fir, metal fittings. No plastic. Wood from European forests.”
Erwan Le Bris set up his workshop in Brittany to devote his craft to rigid heddle looms — portable tools, designed to be easy to handle, shaped by dialogue with professionals and hobbyists alike.
The workshop also repairs and restores old looms, on quotation. And new models are in development — the fruit of an ongoing conversation with weavers.
